"Where does the poem come from? In the drizzle, there is the sound of falling flowers. In the breeze, there is the sound of running water." Mr. Zong Baihua's poems put the seemingly profound and distant poetry back into the fireworks of the world. Poetry is hidden in the details of life. Everyone's understanding of poetry may be different, but it is also because of the difference that poetry has a more unique meaning for everyone. Through the exploration of Chinese culture, Shenzhen satellite TV premiered "poetic China" on September 14, leading the audience to touch the hidden poetic interest around them and absorb the knowledge nutrients of Chinese poetic culture.

The beginning of the program is poetic. A vigorous string music opens the artistic conception of mountains and rivers, and the poetry recitation flows with the music.

Cultural programs pay most attention to the accuracy and preciseness of knowledge and information. In this regard, poetic China pays attention to doing homework from the initial stage of planning to the recording process to ensure the accuracy of program content.

According to reports, as early as the planning stage, the program team hired experts including Li Zhun, honorary chairman of the China Association of literary critics, Chen Xiaobo, senior editor of Xinhua news agency, Yin Hong, vice chairman of the China Association of literary critics, Fang Jinlong, national music artist, and Zhang Yiwu, director of the cultural resources research center of Peking University, to serve as program consultants, striving to respect history, restore history, and produce positive educational significance at the same time. During the production of the program, the program team also invited Wang Yarong, a senior engineer of the Institute of history of the Chinese Academy of Social Sciences, as a clothing consultant to perform the relevant clothing dynasties and shapes on site. At the same time, Li Bo, the curator of Jiangning weaving Museum, was invited as a member of the "poetic group" to be responsible for the control and output of the content. In addition, the members of the column group also continue to enrich themselves and improve their personal cultural knowledge reserves: "either in the library or on the way to the library."

The high standards and strict requirements of the program team ensure that the content presented in front of the camera can withstand scrutiny. On the night of the premiere of the program, netizens who are mothers commented on Weibo: "this is a program that children are willing to spend time watching, and they can learn a lot of knowledge."

Poetic China innovates the program form, abandons the simple question and answer form, and adopts the form of scene reproduction performance to show the options of questions. For example, Fang Jinlong in the first program wrote a title for the elegance of rites and music: which of the following is in line with the ceremony of playing the Qin? A watch the rise of rain and burn incense to play the Qin; B go boating in the middle of the river and play the Qin to each other. The actors performed the scene of burning incense and playing the Qin in the light rain, and the scene of two people drinking the Qin in the river.

Such situational display not only enables the audience to think about the options more intuitively, but also deepens the audience's impression and visual understanding of the origins and allusions of traditional culture. While following the guests in the program to unlock clues, the audience's expectation of the final reproduction of the grand scene is also more intense.

Poetic China is based on poetry, but in addition to poetry itself, the program has also expanded many other art forms. For example, the opening recitation of the score poem, the performance of ancient Chinese musical instruments Jiahu GuDi and Yusheng, the teaching and learning of classical dance, the discussion of ancient folk music, and the ensemble of national musical instruments

The participating audience can constantly pick up the interests of traditional culture in the communication between guests and hosts and in the process of reasoning. At the same time, it can quickly absorb the knowledge points of various cultures in just a few minutes to enrich its own knowledge reserves.

Although "poetic China" wants to convey the poetic culture of China for thousands of years, the program itself is neither too high nor too low. As early as the preparation stage of the program, Li Yin, deputy curator of the Dongling Museum of the Qing Dynasty and professor of the school of history of Hebei University, suggested that "poetic China" should "hand in hand with the public, go to the public, not be high above it, but be rooted in the soil, rooted in the public, and at the same time, spread and inherit culture in the appreciation of refined and popular customs". So at present, the audience sees "poetic China" in a grounded way of expression, outputting the content to the audience, and at the same time, applying what they have learned.

Without obscure ancient texts and lengthy popular science, poetic China is closer to contemporary people's aesthetic habits and language expression in language expression.

In addition to the original program mode, the program also has innovations in the excavation of poetic content of life. For example, the program shows the lifestyle of the ancients, in which there are many imaginative creations. The program not only shows the lifestyle of the ancients, but also opens the imagination space for the audience, "the original life of the ancients is so poetic". All these inspire people to keep an open heart in life, to develop and explore a better life. More and more young people inherit from the ancients and are brave and willing to show their own culture. This is also a manifestation of Chinese people's gradual recognition of their own culture in recent years, which is also a manifestation of culture's growing confidence. (Yu sang)